Stoker (2013)
Happily, this good year for horror continues with the arrival of Park Chan Wook’s, director of the fantastic Oldboy, first foray into English-language filmmaking, Stoker, a deliciously Gothic portrayal of fractured family life, with a sinister undercurrent running just below its perfect surface. It may not be the scariest horror film of all time, and it definitely won’t satisfy gore-hounds, but it’s easily one of the best, if not the best, of the year thus far, unravelling at a pace so slow it’ll leave you digging through your arm rest till it’s torn to shreds.

Though it’s not technically a horror film, Catfish is the kind of bizarre mystery thriller that only really exists because it’s masquerading as a documentary. If the story was presented to us as a fictional narrative, we’d scoff at its inaccuracies. Instead, everyone gasped as the plot was revealed - who knew that people created fake profiles on Facebook, and then used them to lure unsuspecting strangers into relationships with them? Shock, horror indeed. I went into this fairly cynical, but funnily enough, I was surprised, not at the plot, but by how much I liked it. 





